Monsieur Vénus

Monsieur Vénus

by: Rachilde

He is indifferent, I shudder. He is despicable, I admire him! [...] I will make him my master and he will twist my soul under his body. I bought him, I belong to him. It is I who am sold. Meaning, you give me back a heart! Ah! demon of love, you made me prisoner, stealing my chains and leaving me freer than my jailer is. I thought I took him, he takes hold of me.

Published:
1884
Pages:
238
Genres:
Languages:
  • French

About:

A novel of a woman bored of her life and who pays a poor florist to enter a relationship with her. She taunts and abuses him from an androgynous figure into a feminine one, but when he tries to seduce her rejected male suitor, she organizes a duel which leaves the florist dead. By the end, in interchanging male and female clothes, she embraces a wax doll created to mimic the dead man.

Editions

  • Bruxelles : August Brancart (1884) first edition contains the full text. A fictitious co-author named "F. T." is also credited.
  • Bruxelles : August Brancart (1884) second edition contains a few deleted words in the final chapter. Contains a preface by Arsène Houssaye. Seen at Livres-émoi on Abebooks.
  • Bruxelles : August Brancart (1884) third edition contains further excisions, cutting erotic details in the final chapter and the protagonist's orgasm from a daydream in Chapter 2.
  • Paris : Felix Brossier (1889) first edition published in France. Contains all excisions from previous publications plus further cuts, including Chapter 7, where the protagonist asserts that women could destroy men by robbing them of their masculinity through sex. Francis Talman's name as collaborator is also removed. Contains an editor's note and a preface by Maurice Barrès.
  • New York : Covici, Friede (1929) first English Edition in 1,200 copies. Translated by Madeleine Boyd from the French edition. Illustrated by Majeska. Contains an introduction by Ernest Boyd and a preface by Maurice Barrès. 217pp. Seen on Worthpoint by Double Eagle Books.
  • New York: Modern Language Association of America (2004) reissue of the original 1884 French text under the title Monsieur Vénus: Roman Matérialiste (2004). Edited and introduced (in English) by Melanie Hawthorne and Liz Constable. ISBN: 9780873529297
  • New York : Modern Language Association of America (2004) as Monsieur Vénus: A Materialist Novel. Translated to English by Melanie Hawthorne after the 1929 translation by Madeleine Boyd. Introduced and annotated by Melanie Hawthorne and Liz Constable.

Also see:

  • "Monsieur Vénus: A Critique of Gender Roles" (1897) by Melanie C. Hawthorne in Nineteenth-Century French Studies (1988), Vol. 16, No. 1, pp. 162-179.
  • Ventriloquized Bodies: Narratives of Hysteria in Nineteenth-century France (1994) by Janet L. Beizer (ISBN: 9780801481420)
  • Rachilde and French Women's Authorship: From Decadence to Modernism (2001) by Melanie Hawthorne (ISBN: 978-0803224025)
  • Before Trans: Three Gender Stories from Nineteenth-Century France (2020) by Rachel Mesch (ISBN: 978-1503612358)

Author Details:

Rachilde

Marguerite Vallette-Eymery (11 February 1860 – 4 April 1953) was born in Dordogne, France as the daughter to an unhappy couple. They mistreated, ignored, and abused her based chiefly on her disability: one of her legs was shorter than the other.

At the age of 15, she took the name Rachilde as her literary pseudonym and began writing on commission.
In Paris, she publicly asserted the identity of Rachilde as a counter-cultural artist working in full support of Symbolists and Decadent artists. She wore masculine clothing, hosted salons, and contributed her work to theatres, periodicals, and the "Mercure de Franc," a Symbolist literary magazine founded by her husband, Alfred Vallette. Despite her marriage, she engaged in multiple romantic affairs with both men and women.

Much of her work is typified by her interest in obsession, eroticism, gender, and violence. She idolized the social freedom of men while despising their wide lack of ethics; simultaneously, she rejected the Feminist and Bluestocking movements but supported women at an individual level. Each contradiction enhanced the controversial nature of her work and status, which caused her to be reviled, encouraged, and outlawed in different circles.

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