
Yes, I still think about my friend Marc: the one who was my guide, my advisor: a loving soul, Vaska. . . But I have no hope of finding him. You don't know, when I was in Lucerne, at the start of the war—it was September 14th—well, one night when I went to bed I was seized with horrible anguish. . . I said to myself: Marc has been killed! [...] And it was true: no matter how much I wrote to him, I received nothing more. . .
Follows the 1918-1919 German revolution and Carl von Rudorff, who survived the war, looking for the fate of his love, Marc, who did not.
Sequel to Ersatz d'Amour. The Shipwreck in English.
I suspect, like its prequel, this novel is discussed at length with short translations in Lawrence R. Schehr's French Gay Modernism (2004).
Suzanne de Callias (24 January 1883—4 February 1964) was born in Paris. She remained a pacifist and feminist throughout her life, and went on speaking tours to promote women's suffrage and rights.
Ménalkas was her masculine pseudonym for each work written in collaboration with Willy: "L'Ersatz d'amour" (1923) and "Le Naufragé" (1924), a pair of novels, and "Le Fruit vert" (1927), a short story collection. However, her novels did not sell as well as they were acclaimed, and neither sold more than 10,000 copies.
Afterwards, she contributed articles to magazines like the German-language "Hamburger Fremdenblatt," provided illustrations to various journals, and wrote for various publishers. These brought her grander success. For a significant time, her work built each year on Feminist themes, starting with "Jerry: fragments d'un journal authentique; roman inédit" (1923), where a strong-willed female artist wishes for a child but no man; she courts an intellectual American man to obtain what she wants, and succeeds with a faint, hinted regret. "Monsieur Fayol et sa fille" (1924) depicts the modern woman in public life, "Lucienne et Reinette" (1925) depicts a lesbian relationship, and the nonfiction "Florilège de l’antiféminisme" (1926) exposed inequalities between the sexes around the world.